Richard Anuszkiewicz Polish/American 1930-2020 Untitled (Annual Edition) enamel on masonite 1978, singed and dated lower right 5 1/2 x 5 1/2 in. (14 x 14 cm.) Richard Joseph Anuszkiewicz (May 23, 1930 ? May 19, 2020) was an American painter, printmaker, and sculptor. Anuszkiewicz was born in Erie, Pennsylvania, the son of Victoria (Jankowski) and Adam Anuszkiewicz, who worked in a paper mill. His parents were Polish immigrants.[1] Anuszkiewicz trained at the Cleveland Institute of Art in Cleveland, Ohio (1948?1953), and then with Josef Albers[2] at the Yale University School of Art in New Haven, Connecticut (1953?1955) where he earned his Masters of Fine Arts. He was one of the founders and foremost exponents of Op Art, a movement during the late 1960s and early 1970s.[4] Victor Vasarely in France and Bridget Riley in England were his primary international counterparts. In 1964, Life magazine called him "one of the new wizards of Op".[5] While reflecting on a New York City gallery show of Anuszkiewicz's from 2000, New York Times art critic Holland Cotter described Anuszkiewicz's paintings: "The drama ? and that feels like the right word ? is in the subtle chemistry of complementary colors, which makes the geometry glow as if light were leaking out from behind it." [4] Anuszkiewicz exhibited at the Venice Biennale, Florence Biennale and Documenta, and his works are in permanent collections internationally. He was elected into the National Academy of Design in 1992 as an Associate member, and became a full member in 1994.
Condition
Some creasing to corners. Abell provides in-house shipping for select items. Our office is open Monday to Friday from 8:00 AM to 12:00 PM and 1:00 PM to 3:00 PM for item pickups. Items that cannot be shipped will be noted. An email will go out after invoices are sent. For assistance with shipping, please refer to our shippers' page at https://www.abell.com/buy-sell/how-to-ship/. Payment: Jewelry and coins must be paid by wire transfer, cash, or check (checks subject to clearance before release). The Condition Report states Abell Auction's reasonable opinion as to the lot?s general condition in the terms stated in the particular report, and Abell does not represent or guarantee that a Condition Report includes all aspects of the internal or external condition of the Lot. Items sold at auction are of considerable age and may exhibit wear, usage, repairs, and damage. Therefore, all lots are sold 'as is' and there are no returns or refunds. Abell does not owe the buyer any obligation to report on the condition of the lot and makes no guarantee the condition will be given for the lot. Abell attempts to provide accurate descriptions and images of products online. It is the buyer's responsibility to review all of the information provided about a lot before placing a bid. The buyer acknowledges that the products are sold on an ?as-is? basis.
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Richard Joseph Anuszkiewicz (May 23, 1930 ? May 19, 2020) was an American painter, printmaker, and sculptor. Anuszkiewicz was born in Erie, Pennsylvania, the son of Victoria (Jankowski) and Adam Anuszkiewicz, who worked in a paper mill. His parents were Polish immigrants.[1] Anuszkiewicz trained at the Cleveland Institute of Art in Cleveland, Ohio (1948?1953), and then with Josef Albers[2] at the Yale University School of Art in New Haven, Connecticut (1953?1955) where he earned his Masters of Fine Arts.He was one of the founders and foremost exponents of Op Art, a movement during the late 1960s and early 1970s.[4] Victor Vasarely in France and Bridget Riley in England were his primary international counterparts. In 1964, Life magazine called him "one of the new wizards of Op".[5] While reflecting on a New York City gallery show of Anuszkiewicz's from 2000, New York Times art critic Holland Cotter described Anuszkiewicz's paintings: "The drama ? and that feels like the right word ? is in the subtle chemistry of complementary colors, which makes the geometry glow as if light were leaking out from behind it." [4] Anuszkiewicz exhibited at the Venice Biennale, Florence Biennale and Documenta, and his works are in permanent collections internationally. He was elected into the National Academy of Design in 1992 as an Associate member, and became a full member in 1994.